Full-height windows run the length of the main volume, putting the garden on every side of the house rather than at the edge of it. Direct sun for most of the day set the terms for everything inside — a palette pale enough to catch the light without glaring under it, pulled darker where the room needs weight to stay readable instead of washing flat. Furniture stays low, pulled back from the glass, so the sightline runs straight through the house to the garden with nothing in the way.

The interior doesn't try to outshine the light. It was built to move with it — quiet and pale in the morning, heavier by evening — and let that shift do the work a fixed palette can't